Patricio Revé

Principal Artist

Introducing Patricio

Patricio was born in Cuba and began his ballet training at 9 years old at the Fernando Alonzo Cuban Ballet School.  In 2015 he joined the Ballet Nacional de Cuba and was promoted to Principle Dancer in 2017. During his time with the company he toured internationally to Italy, Spain, France, United States of America, Canada and performed for the King in Cambodia. Patricio joined the Queensland Ballet in 2018 as Company Artist and was promoted to soloist following his standout performance of Romeo in Sir Kenneth MacMillian’s, Romeo and Juliet. In 2021, he was promoted to Senior Soloist and in 2022, was promoted to Principal Artist. 

Repertoire Highlights  

  • 'Romeo' in Kenneth MacMillan's Romeo and Juliet

  • 'Des Grueux' in Kenneth MacMillan's Manon

  • 'Albrecht' in Ai-Gul Gasina's Giselle  

  • 'Principal Male' in Harald Lander's Etudes

  • 'Prince DĂ©sirĂ©' in Greg Horsman's The Sleeping Beauty

  • 'Oberon' in Liam Scarlett's A Midsummner Night's Dream

  • 'Snow Prince' in Ben Stevenson's The Nutcracker

  • 'Sugar Plum Prince' in Ben Stevenson's The Nutcracker

  • 'Prince Seigfriend' in Swan Lake

  • 'Dark Angel' in George Balanchine's Serenade

  • 'Colas' in La Fille Mal Garde

  • 'Principal Couple' in Greg Horsman's Glass Concerto

Professional Accolades  

  • 1st Place Cuban Grande Prix 

  • 1st Place Havana International Dancing Competition 

Did you know… 

Patricio wears the same pair of rehearsal tights every day…but he makes sure to wash them every night!

“Learn how to listen to your teachers and take on board all of your corrections.”  

'Male Principal', Harold Lander's Etudes, 2021, David Kelly

'Basilio', Marius Petipa's Don Quixote, 2021, David Kelly

'Romeo', Kenneth MacMillan's Romeo and Juliet, 2019, David Kelly

'Dancing Teacher', Ben Stevenson's Cinderella, 2018, David Kelly

'Romeo', Kenneth MacMillan's Romeo and Juliet, 2019, David Kelly

'Romeo', Kenneth MacMillan's Romeo and Juliet, 2019, David Kelly


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We acknowledge the traditional custodians of the land on which we work and perform. Long before we performed on this land, it played host to the dance expression of our First Peoples. We pay our respects to their Elders — past, present and emerging — and acknowledge the valuable contribution they have made and continue to make to the cultural landscape of this country.

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